木色系的空间里，光影透过门厅玄关的栅格间隙，给墙面蒙上时间的滤镜。透过栅格后方餐厅的光与庭院的绿意，将宋式美学晕染出朦胧的渐变，一远一近形成明暗的对话，每一道木纹都在诉说着东方美学的智慧——「空」不仅仅是留白，而是让设计生长出想象的诗意！

In the wooden colored space, light and shadow pass through the grid gaps in the entrance hall, casting a filter of time over the walls. Through the light of the restaurant behind the grid and the greenery of the courtyard, the Song style aesthetics are blended into a hazy gradient, forming a dialogue of light and dark between far and near. Each grain of wood tells the wisdom of Eastern aesthetics - "emptiness" is not just about leaving blank space, but about allowing design to grow with imaginative poetry!

没有传统中式的暗调浓墨，整个空间滤色自然，一枝一角都晕染如画，圈椅、器具似空间里的诗行，质朴温润，让空间成为岁月时光的「容器」——光如玉，包裹着每一件物品摆设，共同编织出生活温柔的图景。

Without the traditional Chinese style dark tones and thick ink, the entire space is naturally colored, with each branch and corner blending like a painting. The circular chairs and utensils resemble poetic lines in the space, simple and warm, making the space a "container" of time - light like jade, wrapping around every item decoration, weaving together a gentle scene of life.

床头灯暖光轻柔细腻的光韵，消解掉卧室的刻板边界感，原木地板与亚麻床品的质感，让休憩空间挣脱规整的束缚，让每个角落都成为「光的驻点」，晨昏交替成为居住着雨时间点私密对话，在这样的静室中醒来，所谓的理想居所，不过是让时光慢下来，让每一次驻足都成为归心的惬意自由！

The warm and gentle glow of the bedside lamp dissolves the rigid boundaries of the bedroom, while the texture of the wooden floor and linen bedding allows the resting space to break free from the constraints of regularity, making every corner a "resting point of light". The alternation of morning and dusk becomes a private conversation during rainy times in living. Waking up in such a quiet room, the so-called ideal residence is nothing more than slowing down time and making every stop a comfortable freedom to return home!

当空间学会「减法」，视觉温润，触感柔软。床头不对称的设计，置于一侧的吊灯打破空间的沉闷，床头简单的背景画隐藏嵌在墙面留白中，让每一处「半遮」都成为生活诗意的引子，藏与露的东方美学，使得每一步都是与自己的对话。

When space learns to 'subtract', it becomes visually warm and has a soft touch. The asymmetrical design of the headboard, with a pendant light placed on one side, breaks the dullness of the space. The simple background painting of the headboard is hidden and embedded in the blank space on the wall, making every "half covered" a prelude to poetic life. The Eastern aesthetics of hiding and revealing make every step a dialogue with oneself.